Drive ist ein US-amerikanischer Thriller des dänischen Filmemachers Nicolas Winding Refn aus dem Jahr , der mit der Literaturverfilmung des. (Filmtext). Georg Alexander:»Inferno in New York«, in: Die Zeit, ; Carmie Amate:»Scorsese on Taxi Driver and Herrmann«, in: Focus on Film, Drive ein Film von Nicolas Winding Refn mit Ryan Gosling, Carey Mulligan. Inhaltsangabe: Der Job von Driver (Ryan Gosling) ist eigentlich aufregend genug​.

Driver Film Inhaltsangabe & Details

Der Stuntman `The Driver' gilt aufgrund seiner herausragenden Kenntnisse am Steuer als der perfekte Fluchtwagenfahrer. Der Einzelgänger legt keinen Wert auf soziale Kontakte oder zwischenmenschliche Bindungen. Doch das ändert sich, als er seine. Drive ist ein US-amerikanischer Thriller des dänischen Filmemachers Nicolas Winding Refn aus dem Jahr , der mit der Literaturverfilmung des. Driver aus dem Jahr ist ein US-amerikanischer Kriminalfilm mit Actionelementen im Stile des Film noir. Er handelt von einem Fluchtwagenfahrer, der von. Nicolas Winding Refns Drive ist Macho-Kino in Perfektion – es geht um harte, schweigsame Kerle, PS-starke Autos und natürlich um eine schöne Frau, die. Drive ein Film von Nicolas Winding Refn mit Ryan Gosling, Carey Mulligan. Inhaltsangabe: Der Job von Driver (Ryan Gosling) ist eigentlich aufregend genug​. Vasniszky, Thomas: Sexualität und Gewalt im Film Noir der 70er: Martin Scorseses "Taxi Driver". Hamburg, Bachelor + Master Publishing Originaltitel der. (Filmtext). Georg Alexander:»Inferno in New York«, in: Die Zeit, ; Carmie Amate:»Scorsese on Taxi Driver and Herrmann«, in: Focus on Film,

Driver aus dem Jahr ist ein US-amerikanischer Kriminalfilm mit Actionelementen im Stile des Film noir. Er handelt von einem Fluchtwagenfahrer, der von. Vasniszky, Thomas: Sexualität und Gewalt im Film Noir der 70er: Martin Scorseses "Taxi Driver". Hamburg, Bachelor + Master Publishing Originaltitel der. (Filmtext). Georg Alexander:»Inferno in New York«, in: Die Zeit, ; Carmie Amate:»Scorsese on Taxi Driver and Herrmann«, in: Focus on Film,

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It is Pretentious Movie. It is Silly Movie. It talks just like this. Vincent Canby. Bernard Drew. The peak of [Hill]'s austere stylised purifications of Hollywood genres.

John Edmond. William Thomas. Bruce Dern, merely one of the best actors of the s, is in his element here as an arrogant cop with a Cheshire-cat grin.

Matt Brunson. Hill has remained a steadily stylish presence in the idiom of action cinema. His genres of concern tend to be the Western and the urban crime drama, and the twain meet in neo-noir The Driver.

Peter Canavese. Even a claustrophobic vision is preferable to none at all, and I want to like Hill's movies. But The Driver is almost impossible to travel with.

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Please click the link below to receive your verification email. Cancel Resend Email. Add Article. The Driver Critics Consensus A tough, highly stylized thriller with amazing sound design and car chases.

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How did you buy your ticket? Movie Info. An enigmatic man of fast cars and few words, the Driver Ryan O'Neal excels at maneuvering getaway vehicles through the tightest of spots, making him quite in demand in criminal circles.

His skill and notoriety, however, infuriate the Detective Bruce Dern , who becomes obsessed with taking the Driver down. Luckily for the speed-loving anti-hero, the Player Isabelle Adjani , a gorgeous and resourceful woman, is around to help him elude the Detective.

Walter Hill. Lawrence Gordon. May 22, EMI Films Ltd. Ryan O'Neal The Driver. Bruce Dern The Detective. Isabelle Adjani The Player. Ronee Blakley The Connection.

Matt Clark Red Plainclothesman. Felice Orlandi Gold Plainclothesman. Joseph Walsh Glasses. Rudy Ramos Teeth. Denny Macko Exchange Man.

Will Walker Fingers. Walter Hill Director. Walter Hill Writer. Lawrence Gordon Producer. Michael Small Original Music.

Philip H. Lathrop Cinematographer. Tina Hirsch Film Editor. Robert K. Lambert Film Editor. August 7, Full Review….

June 16, Rating: 2. May 28, Full Review…. January 26, Full Review…. May 9, Full Review…. July 17, Full Review…. He said he wrote it as a "very tight script.

I was trying to do something a little more, or a little less, but I was trying to do something else. It's spare in detail but written to dramatic effect.

You could maybe capture the mind of the reader a little better. They began co-financing movies shot in Hollywood in association with major US studios that were aimed at the international market, such as Convoy , The Deer Hunter and The Driver.

They were interested in financing The Driver provided a suitable star could be found for the lead. According to Hill, the script was unable to bring in talents for "about a year and a half.

And I never thought he'd do it. And he's fast. Most young directors today think they are David Lean ; they spend over a year on a film and we get robots that talk.

Several actors were considered for the female lead, including Julie Christie and Charlotte Rampling. This was Adjani's first Hollywood role; she had previously turned down the chance to star in The Other Side of Midnight , but agreed to make The Driver because she was an admirer of Hard Times.

Of Hill, Adjani commented:. I think he is wonderful, very much in the tradition of Howard Hawks , lean and spare. The story is contemporary but also very stylized, and the roles that Ryan and I play are like Bogart and Bacall.

We are both gamblers in our souls and we do not show our emotions or say a lot. For us, talk is cheap.

I am really quite a mysterious girl in this film, with no name and no background. And I must say that it is restful not to have a life behind me; this way, I don't have to dig deep to play the part.

All I know is that life for me is gambling and I am a loser. I have what people call a poker face. The studio recommended Robert Mitchum for the role of the Detective.

Hill liked the idea and met with Mitchum to discuss the part but the actor turned it down. Hill ended up casting Bruce Dern.

I wanted Bruce to very much offset the distance of The Driver. The film featured several car chase sequences. Hill says he felt the first chase was "kind of a failure" because it "was meant to lead up to a much more spectacular finish" but he was unable to film it properly: it was done on the last night of shooting and an electrician fell off the roof and was badly injured; Hill could not get all the shots he wanted and had to "cobble together" the end result.

However, he felt the sequence with the Mercedes Benz in the garage and the final chase were "as fully realised as I could get them to be.

Hill said the night shooting was draining: "It's like you're swimming underwater or hypnotised. And I'm a person that stays up late and wakes up early.

But staying up night after night after night really threw me out. You make decisions you cannot explain. You just intuit.

Hill says the major visual influence on the film was the works of artist Edward Hopper. What fascinated Hill on Bullitt was the abundance of shots captured from inside the cars, which compelled him to film the same amount on The Driver.

Contemporary reviews were extremely poor. And of all the reviews in this six-inch thick pile, there was only one good one.

It is Pretentious Movie. It is Silly Movie. It talks just like this. Saying it's "probably advisable for film noir aficionados only", film critic Duncan Shepherd of the San Diego Reader gave it five out of five stars.

The movie was a commercial disappointment in the United States although it performed better overseas. The film grossed a total of 1,, admissions in France.

Producer Larry Gordon later reflected on the film's poor critical and box office response in the US:. If we'd had Clint Eastwood in the film, we'd have been forgiven everything and they'd have said, 'It's another Eastwood film about driving cars'.

We were treated as an art film rather than an action film. We took a unique approach to standard material.

We'd go the same way again, but with a different cast we might have attracted an audience. I believe in returning investors' money — and if I could make The Driver again I'd try to rectify it for a commercial market.

When you're writing this kind of script But when we got Ryan, I suggested we make changes to suit his character.

This is always the director's prerogative. Isabelle Adjani later complained she felt the film hurt her career.

I turned down several, and felt I couldn't continue to do that. And I liked Walter Hill. Only later did I realize I'd made a terrible mistake.

They loved it overseas, but in those days, that didn't matter that much. It made exactly zero dollars in the United States.

To me, he's the best he's ever been. I cannot imagine another actor. When you don't get who you want, sometimes you really do get lucky.

The film has gone on to become more popular, and it often the first film shown during retrospectives of Hill's work. The Reflections Interactive video game Driver uses several unmistakable thematic inspirations from this movie.

Both Quentin Tarantino 's Pulp Fiction and Kill Bill: Volume 2 refer to this film: a shot and setup of Vincent Vega skidding out into the road with an overdosed Mia Wallace in the passenger seat in Pulp Fiction is copied from the opening chase of The Driver; [ citation needed ] and Beatrix Kiddo being described as "the cowgirl [who] ain't never been caught" in Kill Bill: Volume 2 is copied from Ryan O'Neal's character description in The Driver as "the cowboy who could not be caught".

The film also influenced Drive , directed by Nicolas Winding Refn. It's very complimentary. I bear him no animosity or anything.

I think he's a remarkably talented guy and quite like him. Wright commented on Hill's film: "Its influence on video games is very clear and in movies its style has echoed throughout the work of Michael Mann , James Cameron , Quentin Tarantino, Nicolas Refn and now me with my new film ahem , Baby Driver.

From Wikipedia, the free encyclopedia. For other uses, see The Driver disambiguation. Theatrical release poster.

Go Spannende Serien Netflix. Please enter your email address and we will email you a new password. Rolling Stone. Driver tells an angry Irene about his involvement with her husband's death. The New York Times.

Driver Film - Aktuell im Streaming:

Da zu diesem Zeitpunkt gerade eine Sportveranstaltung zu Ende ist, kann er unbemerkt in der Menschenmasse flüchten und in sein spärliches Apartment zurückkehren. The Strangers: Opfernacht Walter Hill. Als er fliehen will, wird er nach einer wilden Verfolgungsjagd vom Driver gestellt. Rate This. Technical Specs. It was one of the most-nominated films by critics' groups in Teeth's driver returns the purse Hunter X Hunter Episodenguide is allowed to leave. From metacritic. Richard T. Refn said, "The character of Nino was Snow White not particularly interesting, so I asked Ron why he wanted to be in my movie when he's done so many great films. He offers two captured Türkisch Für Anfänger Staffel 1 Folge 5 — Glasses and Teeth — a deal: pull a bank heist, hire The Driver, and deliver him to the police.

Driver Film Ranking Ról Video

The Driver (1978) - 🚓🚓 The F***ing Awesome Chase Ever 🚔🚦 In Drive versucht sich Ryan Gosling als wortkarger Fluchtwagenfahrer und Stuntman in LA. Für seine Nachbarin Carey Mulligan nimmt er es sogar mit der loka. Januar in den Kinos. Fear X - Im Angesicht der Angst. Sie lebt von dem Geld, So Undercover Stream Deutsch sie durch falsche Aussagen, welche den Driver decken, verdient und von gelegentlichen Schecks, die ihr ein Bekannter zusendet. Dieser wollte allerdings schon immer einen jüdischen Gangster spielen, der versucht, ein italienischer Gangster zu sein. In einer Schlüsselszene besucht der Bulle den Driver in seiner kargen Baywatch Darsteller, und die beiden reden. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Abgesehen davorn das einzige Außerdem Englisch Driver Film Film etwas aufwertet sind die Fahrzeuge. Zach Braff. Und in den ist nicht nur die Mafia verwickelt, sondern auch einige Leute, mit denen der Fahrer auch sonst zu tun hat, worauf er aber nicht allzu viel Rücksicht nimmt. Ich stehe überhaupt nicht auf Gewalt Date-Tv.De Film, aber in diesem Fall geschieht es wie Donnerschlag. The Romanoffs TV-Serie, Neu ab 7. Ähnliche Filme. Drive DVD. August beim Internationalen Filmfestival von Locarno vorgeführt. JavaScript muss aktiviert sein, um dieses Formular zu verwenden. Albert Brooks spielt den Gangsterboss Bernie Rose. Vereinigte Staaten.

Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs.

Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews.

Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A mysterious Hollywood stuntman and mechanic moonlights as a getaway driver and finds himself in trouble when he helps out his neighbor in this action drama.

Director: Nicolas Winding Refn. Writers: Hossein Amini screenplay , James Sallis book. Available on Amazon. Added to Watchlist.

From metacritic. On Location: Los Angeles. STARmeter Top 10 of Top 10 User-Rated Movies of English Movies Watched.

Favorite action movies. Favorite Movies Share this Rating Title: Drive 7. Use the HTML below. For us, talk is cheap. I am really quite a mysterious girl in this film, with no name and no background.

And I must say that it is restful not to have a life behind me; this way, I don't have to dig deep to play the part. All I know is that life for me is gambling and I am a loser.

I have what people call a poker face. The studio recommended Robert Mitchum for the role of the Detective. Hill liked the idea and met with Mitchum to discuss the part but the actor turned it down.

Hill ended up casting Bruce Dern. I wanted Bruce to very much offset the distance of The Driver. The film featured several car chase sequences.

Hill says he felt the first chase was "kind of a failure" because it "was meant to lead up to a much more spectacular finish" but he was unable to film it properly: it was done on the last night of shooting and an electrician fell off the roof and was badly injured; Hill could not get all the shots he wanted and had to "cobble together" the end result.

However, he felt the sequence with the Mercedes Benz in the garage and the final chase were "as fully realised as I could get them to be. Hill said the night shooting was draining: "It's like you're swimming underwater or hypnotised.

And I'm a person that stays up late and wakes up early. But staying up night after night after night really threw me out.

You make decisions you cannot explain. You just intuit. Hill says the major visual influence on the film was the works of artist Edward Hopper.

What fascinated Hill on Bullitt was the abundance of shots captured from inside the cars, which compelled him to film the same amount on The Driver.

Contemporary reviews were extremely poor. And of all the reviews in this six-inch thick pile, there was only one good one.

It is Pretentious Movie. It is Silly Movie. It talks just like this. Saying it's "probably advisable for film noir aficionados only", film critic Duncan Shepherd of the San Diego Reader gave it five out of five stars.

The movie was a commercial disappointment in the United States although it performed better overseas. The film grossed a total of 1,, admissions in France.

Producer Larry Gordon later reflected on the film's poor critical and box office response in the US:. If we'd had Clint Eastwood in the film, we'd have been forgiven everything and they'd have said, 'It's another Eastwood film about driving cars'.

We were treated as an art film rather than an action film. We took a unique approach to standard material. We'd go the same way again, but with a different cast we might have attracted an audience.

I believe in returning investors' money — and if I could make The Driver again I'd try to rectify it for a commercial market. When you're writing this kind of script But when we got Ryan, I suggested we make changes to suit his character.

This is always the director's prerogative. Isabelle Adjani later complained she felt the film hurt her career. I turned down several, and felt I couldn't continue to do that.

And I liked Walter Hill. Only later did I realize I'd made a terrible mistake. They loved it overseas, but in those days, that didn't matter that much.

It made exactly zero dollars in the United States. To me, he's the best he's ever been. I cannot imagine another actor.

When you don't get who you want, sometimes you really do get lucky. The film has gone on to become more popular, and it often the first film shown during retrospectives of Hill's work.

The Reflections Interactive video game Driver uses several unmistakable thematic inspirations from this movie. Both Quentin Tarantino 's Pulp Fiction and Kill Bill: Volume 2 refer to this film: a shot and setup of Vincent Vega skidding out into the road with an overdosed Mia Wallace in the passenger seat in Pulp Fiction is copied from the opening chase of The Driver; [ citation needed ] and Beatrix Kiddo being described as "the cowgirl [who] ain't never been caught" in Kill Bill: Volume 2 is copied from Ryan O'Neal's character description in The Driver as "the cowboy who could not be caught".

While Blanche is in the restroom, she is killed with a shotgun by one of Cook's henchmen; Driver fatally stabs the gunman before killing another one with the shotgun.

At the auto shop, Shannon offers to hide the money, but Driver brushes him off. He hunts down Cook in a strip club, threatens to kill him, and force-feeds him the bullet that he had given to Benicio earlier.

Cook reveals that Nino was behind the robbery. Driver calls him and Nino dismisses his offer of the money, instead sending a hitman to the Driver's apartment building.

Driver tells an angry Irene about his involvement with her husband's death. When the pair enter an elevator, the Driver notices a hitman. Driver kisses Irene, and then brutally beats the hitman to death, leaving her horrified.

Knowing that someone may have leaked Driver's whereabouts for Nino to know his address, the Driver confronts Shannon, who reveals that he also unwittingly mentioned Irene.

Driver tells Shannon to flee. At his pizzeria, Nino reveals to Bernie that a low-level Philadelphia wise guy from the " East Coast mob " stashed the money at the pawnshop with plans to use the money to set up a new operation.

Since anyone tied to the robbery could lead the East Coast Italian Mafia to them, they need to kill everyone involved. Bernie warns Nino that nobody steals from the Italian Mob.

Nino is angry because the Italian Mob has patronized and insulted him for being Jewish. He convinces Bernie to follow his plan.

Bernie murders Cook, as he is the sole witness to their agreement. After Shannon refuses to divulge the whereabouts of the Driver at the auto shop, Bernie slashes his forearm with a straight razor , killing him.

Enraged at finding Shannon's corpse at the auto shop, Driver, disguising himself with a rubber stuntman's mask, follows Nino from the pizzeria to the Pacific Coast Highway and rams his car onto a beach; he chases Nino towards the ocean and drowns him.

He phones Irene and tells her that he will not return, but the short period of knowing her and Benicio was the best part of his life.

The Driver meets Bernie, who promises that Irene will be safe in exchange for the money. Upon giving him the money, Bernie stabs him in the stomach, before Driver brandishes his own knife and stabs Bernie to death.

Driver survives and drives away, while Bernie lays in the parking lot next to the cash. Irene, having second thoughts, knocks on Driver's apartment door but no one answers.

Since Bernie was the last living person to know of Irene's existence, she is now safe forever. The novel Drive by James Sallis was published in The character interested Platt, because he reminded him of movie heroes he looked up to as a child, characters typically portrayed by Steve McQueen or Clint Eastwood.

Hossein Amini adapted the novel for the screen. He felt it was a rare book to receive from a studio because it was short, gloomy, and like a poem.

Since the novel does not present a linear story, but has many flashbacks and jumps around in time, Amini found the adaptation challenging.

He felt the non-linear structure made it "a very tricky structure" for a feature film. A film adaptation of Drive was first announced in early , with Neil Marshall set to direct what was being described as "an L.

Universal Studios , which had tried to make a film version for some time, was also on board. Producer Marc E.

Platt contacted actor Ryan Gosling about Drive early on. Platt explained: "I have this list that I've created of very talented individuals whose work inspire me — writers, directors, actors whom I have to work with before I go onto another career or do something else with my life.

He had always been interested in doing an action-oriented project. Gosling said that he had been put off by the many current action genre films that focused more on stunts instead of characters.

But he responded to Platt about two days later, as he was strongly attracted to the plot and the leading role of the unnamed driver. He thought the story had a "very strong character" at its core, and a "powerful" romance.

In an interview with Rotten Tomatoes , Gosling was asked what had attracted him to the film, and whether he had read the earlier script when Jackman and director Neil Marshall were attached to it.

He said:. I think that might be the original one I read. I read a few drafts. I read one as well where he wasn't a stunt driver at all, which was a newer draft — maybe that's the one Hugh Jackman had; I'm not sure exactly.

Basically when I read it, in trying to figure out who would do something like this, the only way to make sense of this is that this is a guy that's seen too many movies, and he's started to confuse his life for a film.

He's lost in the mythology of Hollywood and he's become an amalgamation of all the characters that he admires.

When Gosling signed on for the leading role, he was allowed to choose the director, a first in his career. He said, "It had to be [him].

There was no other choice. When Refn read the first screenplay for Drive , he was more intrigued by the concept of a man having a split personality, being a stuntman by day and a getaway driver at night, than the plot of the story.

Refn took on the project without hesitation. When casting roles in his films, Refn does not watch casting tapes or have his actors audition for him.

Instead, he meets with them, and casts them on the spot if he feels they are right. Scherfig used to babysit Refn when he was a child, and they have become good friends.

But his wife was a big fan of the film and Mulligan's performance, and she urged him to cast her. The character was changed to Irene after Mulligan was cast; Refn said that he "couldn't find any actress that would click with [him] personally".

While working on the film, Refn had some cast and production members move in temporarily with him, his wife and two daughters in their home in Los Angeles.

This included Carey Mulligan [19] and Hossein Amini, the screenwriter. This enabled them to be immersed in the film. Refn and Amini made significant changes to the original script during this time.

Bryan Cranston plays the role of Shannon. Knowing Cranston had other opportunities, Refn asked the actor how he would like to develop the role.

After not hearing back, Refn called him; Cranston was just then writing the pros and cons of doing Drive for himself. Moved by Refn's interest, Cranston accepted the part.

He was unable to find anyone with the necessary acting talent. After meeting with Hendricks, he decided to cast her as he felt her persona would click with the character.

Albert Brooks plays the foul-mouthed, morose Bernie Rose. When Refn suggested him, Gosling agreed, but thought the actor might not want to play a character who is violent and sullen, or appear in a film that he did not work on himself.

There are six people you could always get to play this kind of part, and I like that the director was thinking outside of the box. For me, it was an opportunity to act outside the box.

I liked that this mobster had real style. Also, he doesn't get up in the morning thinking about killing people. He's sad about it.

Upset about it. It's a case of, 'Look what you made me do. Nino, a key villain, is portrayed by Ron Perlman , one of the last actors to join the cast.

Refn said, "The character of Nino was originally not particularly interesting, so I asked Ron why he wanted to be in my movie when he's done so many great films.

When Perlman said, 'I always wanted to play a Jewish man who wants to be an Italian gangster', and I asked why, and he said, 'because that's what I am — a Jewish boy from New York', well, that automatically cemented it for me.

Finding the role somewhat unappealing, he developed the archetypal character into something more. As soon as I sat down with Nicolas, he explained this universe and world of the story, so we made the character into someone interested in owning a restaurant, someone who made some wrong decisions in his life, ending up in a bad place.

By making 'Standard' more specific and more interesting, we found that it made the story that more compelling. At the director's request, Los Angeles was picked as the shooting location due to budget constraints.

They would work on the script and film all day, then watch films, edit, or drive at night. The opening chase scene, involving Gosling's character, was filmed primarily by Refn within the car's interior.

In an interview, he said he intended for this scene to emulate the feeling of a "diver in an ocean of sharks," and never left the vehicle during the car chase so that the audience can see what's happening from the character's point of view.

With two different set-ups prepared in the car, the director found it difficult to have mobility with the camera, so he would switch the camera to two additional set-ups nearby.

As downtown Los Angeles had been rejuvenated, Refn avoided certain areas to maintain the novel's gloomy atmosphere.

The scene was shot at low angles with minimal light. The elevator sequence was shot without dialogue. A scene like the elevator sequence in Drive , for instance, has no dialogue, just a series of stunning visuals and graphic imagery — that's a prime example of how the film conveys so many ideas and emotions through images rather than words.

What they share is really a goodbye kiss. Irene sees the Driver in a new light. Every movie has to have a heart — a place where it defines itself — and in every movie I've made there's always a scene that does that.

On Drive , it was hard for me to wrap my head around it. I realized I needed to show in one situation that driver is the hopelessly romantic knight, but he's also completely psychotic and is willing to use any kind of violence to protect innocence.

But that scene was never written. As I was going along, it just kind of popped up. In March , Interiors , an online journal concerned with the relationship between architecture and film, published an issue that discussed how space is used in this scene.

The issue highlights Refn's use of constricted space and his way of creating a balance between romance and violence.

Car scenes were filmed with a "biscuit rig," a camera car rig developed for the film Seabiscuit It allowed stunt driver Robert Nagle to steer the car, freeing Gosling to concentrate on acting.

Budget restrictions were also a factor in this decision. Although many stunt drivers are credited, Gosling did some stunts himself, [37] after completing a stunt driving car crash course.

Beth Mickle was hired as the film's production designer on Gosling's recommendation; they had worked together on 's Half Nelson.

Prior to filming, Mickle supervised a crew of 40, routinely working to hour days. This was her most expensive film to date, and Mickle felt freer since "there was another zero added to the budget," compared to that of Half Nelson.

Mickle also built a strip club set and Bernie Rose's apartment in an abandoned building. Turning a "run-of-the-mill" Los Angeles auto body shop into a grandiose dealership was one of the most challenging tasks.

Painting the walls an electric blue color, she filled the showroom with vintage cars. While Drive is set in the present day, it has a s atmosphere, underlined by the vehicles, music, and clothes, and by the architecture.

The parts of the city seen in the Valley and near downtown Los Angeles are cheap stucco and mirrored glass; the film excludes buildings constructed more recently.

As the Los Angeles Times pointed out, whenever gleaming buildings are shown, it is because they are being seen from a distance. Refn shot those scenes from a helicopter at night in Bunker Hill, Los Angeles.

Refn chose Johnny Jewel of Desire and the Chromatics to score the film. He wanted electronic music and to have it be abstract, on occasion, so viewers can see things from the Driver's perspective.

During Drive ' s climax, " A Real Hero "'s keynote melody, about becoming "a real human being, and a real hero", refrains because that is when the Driver displays both those characteristics.

He definitely got the nuance of the song, and understood what it was supposed to mean, and he wanted to give that emotion to the viewer, that same feeling.

Thinking of music in terms of basic elements, Jewel would tell the director that for certain scenes, it should not have bass since, as an earth tone, it is usually used for a more emotional or ominous part.

Jewel thought the music should be in the upper register and relaxing for the "dreamlike" scene. To help himself with the music composition process, and to conjure up melodies, the producer would highlight many phrases from the novel, then print those words in large font, and hung them on his walls or draw pictures during viewings of Drive.

Although Jewel's music was used in the score, at the last minute the studio hired composer Cliff Martinez to imitate the style and feel of Jewel's bands Chromatics and Glass Candy.

Jewel reworked his unused soundtrack for the film into Themes for an Imaginary Film , the debut album by his side-project Symmetry. A re-scored soundtrack for the film was produced for the BBC by Zane Lowe for its television broadcast in October James Verniere of the Boston Herald graded it an "A", stating, "The cool crowd isn't just watching Drive ; they're listening to it, too The Drive soundtrack is such an integral part of the experience of the film, once you see it, you can't imagine the film without it.

She stated the album, beginning with non-Martinez songs instead of mixing it up for a more enjoyable listening experience, cost it a star.

That same month, Johnny Jewel, College, Electric Youth, and Cliff Martinez discussed the impact of the soundtrack and film on their lives and contemporary music culture.

Jewel told Aaron Vehling that Drive ' s "blend of sonic and visual nostalgia with a contemporary spin is always deadly.

Prior to beginning principal photography , Refn went to the Cannes Film Festival to sell the rights to Drive and released promotional posters for the film.

The film premiered on May 20, in competition at the Cannes Film Festival. He said,. Over the past 10 days we've witnessed great art and potent social commentary; the birth of the cosmos and the end of the world.

Turns out what we really wanted all along was a scene in which a man gets his head stomped in a lift. They welcome it in like a long-lost relation.

The film was greeted with hoots and howls of joy from the media, with viewers cheering on some of the scenes featuring extreme violence. It was among more than feature films, short projects, and music videos , from more than 30 countries, to be shown during the festival.

The site's critical consensus states, "With its hyper-stylized blend of violence, music, and striking imagery, Drive represents a fully realized vision of arthouse action.

It was one of the highest-ranked, and most-featured, films on critics' year-end top 10 lists. It ranked as fourth-best film of the year, behind The Tree of Life , The Artist , and Melancholia on Metacritic's tally of top 10 lists.

The writers for the film magazine Empire listed Drive as their number one film of Brooks' performance, veined with dark humor and chilling menace watch him with a blade , deserves to have Oscar calling.

Kritik Handlung. In einem Verhör macht der Bulle klar, dass er den Driver zwar Italiener Flensburg seiner Professionalität respektiert, ihn jedoch Taken Serie Deutsch gleicher Professionalität seinerseits jagen wird. Dein Kommentar. Er war Demon King Daimao Ger Dub Mann mit einer Bestimmung. Jetzt streamen:. Vereinigte Staaten. Die vom Bullen arrangierte Falle nimmt jedoch eine unerwartete Wendung, weil der Bandit lieber mit dem Geld entkommen möchte, statt es dem Bullen auszuhändigen. Ihr zuliebe will er ihrem Mann Standard Oscar Isaac bei einem Überfall helfen, durch den er sich und seine Familie von Schutzgelderpressern freikaufen will. Cliff Martinez.