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And she discovers the girl Lucie left behind all those years ago. And the girl is still alive, but so badly tortured, she is beyond real help.

Cult members arrive and kill the tortured girl. They take Anna and then subject her to the same tortures that Lucie and the other girl suffered from.

Mostly, it's scenes of this man beating her very badly. And she's chained up a lot. It gets really nasty. There is no fun watching this.

It's very much like torture scenes from Hostel. Finally, they skin Anna alive and she has what they think is a divine vision, which is what they were after.

She tells the head of the cult the vision. We never hear what Anna says. The head of the cult commits suicide.

End of movie. It sucked. First of all, this is not a real horror film. It's a whole other genre. It is torture porn no matter what fanboyz keep claiming.

There's a big difference between a horror film that has scary monsters and such that we have fun with, and something like this which just goes to extremes and shows violence just to really show a lot of violence.

I really don't like this new trend in films. And the French seem to be running with it now. If you like regular horror movies, I don't think you will like this movie.

If you are into Hostel type films, you'll like it. To me, this film just promoted violence and torture of women and it was clearly stated in the film that only women did well as being victims.

I didn't like this movie at all. As some have said, you either love this film or you hate it. The film's extremely disturbing torture and violence serves no purpose other than to make the viewer cringe for its victims.

While this may be the goal of a typical horror film, this film takes large strides to make the torture something realistic, something that could really happen, and, therefore, all the more harrowing.

Once the audience understands this, it expects something more than just typical slasher fare - it expects something deeper and thought provoking.

It expects the film to use the torture to make a point. Unfortunately, it never does. The first half of the film culminates in an unoriginal reveal that the viewer expects long before it is made.

The first half sets up the second half, which, while making use of a truly terrifying basement torture chamber, goes through torture scene after scene in effort to make the viewer feel the pain of its victim.

While the film succeeds in repulsing the viewer with the depravity of humanity and the horror the victims endure, the film fails to use this to any admirable advantage.

One expects more from a film that goes to pains to make the suffering so realistic. And that is the problem: the film is not a popcorn slasher film, one which the viewer goes to for a light-hearted "scare," but which is ultimately an unrealistic "horror" film; rather, the film conjures up feelings of discomfort and unease because what is happening could really happen.

I disagree that the film makers were doing this just to put depravity on the screen. I think they had a real goal of conveying some deep concept or revealing something thought-provoking behind the debauchery.

Unfortunately, we learn all the depravity and suffering were the result of an unclear scientific desire of the wealthy to learn what happens after death.

The audience is probably supposed to feel some sort of horror or discomfort at this. But, the ending is not clearly developed and fails to plant enough seeds for thought after the film is over.

Thus all that came before the ending, makes no sense. And to put the torture on screen without making a good point causes the viewer to question its purpose.

Really, this film adds nothing valuable. The real philosophical issue could have been presented in less than ten minutes.

The rest of it is nothing but torture-pron. This means that torture, suffering and confusion is the main point of the film. The only thing in doubt is whether the "philosophical" issue has been added to pretend like it's a real movie, or if it was added intentionally to try and "get away with it".

Watch it if you are one of those sickos who enjoy watching helpless suffering but you might spend your time and money better at a therapists.

Or watch it with some friends, take note of who seems to enjoy watching it, and never call them again. To avoid fainting, keep repeating : it's only a movie, But this time it is for real.

I will start off by saying that Martyrs is probably the most shocking horror film in a very long time, the concept of a revenge-flick upgraded to extremes.

The French have been known for making extremely violent flicks over the past few years and this time it was Pascal Laugier's turn to provide us with a movie that is meant to be more shocking than entertaining, the reason why horror movies were made back in the seventies.

And indeed, Martyrs is an unapologetic throwback to the seventies-horror flicks the likes of The Last House On The Left and The Texas Chainsaw Massacre come to mind but Laugier uses the methods he can use and makes it even more shocking than these films are.

Apart from being the most shocking and disturbing horror movie in this long time were the aforementioned titles or Cannibal Holocaust were just very disturbing ,this film is also very scary and creepy : i can stomach a lot but at some parts in this movie I really was creep-ed out and scared to death.

This is an extremely scary movie. The script is absolutely fantastic : it manages to combine different happenings into one movie and contains several nods to other recent horror-works or to the classics without falling into plagiarism.

Then we also have the direction of Pascal Laugier :It isn't anything we haven't seen before but he certainly is a man who knows how to build up and it shows during a lot of the scenes where he manages to keep the audience very tense and frightened.

He is a man who takes a very poetic approach to the visuals and really, some of the visuals are very beautiful. The whole movie has some sort of atmosphere of dread, just like Hooper's TCM had.

Yes, you have read it: Martyrs is a very atmospheric movie. The acting is very credible, especially from the two main actresses. I was sold.

And then there's the gore : Laugier didn't want to make a blood-fest. Well it turned out to be some sort of a gorepic, but obvious it wasn't the director's main target.

The gore is NOT the kind of gore the audience likes to see. This isn't a film where you really are waiting for the next victim to be bloodily dispatched, the violence in this film is much worse than anything that is shown in movies like Hostel,Wrong Turn 2, It isn't as gory, there are no geysers of blood and maybe this isn't real gore.

Gore is supposed to be fun this is much worse : it is realistic violence, graphic as all hell and incredibly difficult to stomach. Keep in mind that this isn't a happy-go-slashing slasher-film but I will say there are some really disgusting scenes which are hard to stomach, even for the real gore-hounds like myself due to the way the violence is portrayed.

Compliments for Laugier to create a film that really does shock us with its explicit violence, just like Noe's Irreversible did. The soundtrack also is worth mentioning, it is experimental but it really works.

It is at times a very melancholic type of soundtrack but very memorable. I won't spoil anything for you, but I will tell you something about the end of the movie.

Making it through the last 20 minutes of Martyrs is a tough task. This part of the movie is extremely sad, but ends up being very poetic and very beautiful.

The very end of the movie is almost cynical, without becoming comedic. The movies stays true to its dark roots and will leave you saddened. That being said: people looking for an entertaining slasher-film will be very disappointed, but people looking for a film that will be remembered for a very long time and that will be talked about like they still talk about some of the shocking classics should give this movie a try.

Like somebody already mentioned, this movie veers closer to Irreversible than to ,lets say, Inside or Haute Tension to which it has been compared.

The first hour and a bit of Martyrs was quite effective in delivering unsettling imagery and sounds. Elements of child abuse is something that is certainly unnerving so it's subtext in the film added to the creepiness factor.

This week I review a film I've been extremely excited for; Terrifier. Does this film, from the director of All Hallow's Eve, live up to my expectation?

I also give you the latest streaming releases on Netflix, Prime, Hulu, and Shudder. SS The Midnight Man.

SS In the Mouth of Madness. This week I take a small step back in time and revisit a classic from John Carpenter. In the Mouth of Madness is the third film in his Apocalypse series, but does it stand the test of time?

SS Winchester. This week I finally get to review the haunted house film, Winchester. I've heard the film is pretty hit or miss with audiences so, let's see how I felt about the true story film.

This stars one of my favorite actors of all time, Vincent Price. SS Cargo. This week I review the not so conventional zombie film from Netflix, Cargo.

This is an Austrailian horror film set during the zombie apocalypse. Is there enough zombie action to hold your attention in the character driven film?

SS The Levenger Tapes. This week I dive back into one of my guilty pleasure horror subgenres, found footage. The Levenger Tapes has been in queue for quite some time and I've finally gotten around to watching it.

This ones does some thing that I haven't seen any other FF film do before; we get to see who found the footage and see them watch it!

SS Friend Request. After some major PC issues, I'm back with a brand new episode! This week I take a look at 's social media horror flick, Friend Request.

I have some bad news, Screamers. I updated my PC to the new Windows 10 April update and it broke my sound card. I can't record or edit any new Scream Stream recordings so, until another update is released, or I get a MacBook Pro, I'll be releasing some of the episodes from the original run of Scream Stream from For our first replay episode, I review Annabelle.

This week we go 'round in circles with 's Happy Death Day. It caught a lot of flack for being PG, but does that mean it's bad? SS Bad Ben Trilogy.

Just how good can a microbudget film be? The Bad Ben trilogy has gained a cult follow despite its low budget style.

Does it really deserve such a following? Find out on this week's episode. SS Nails. The Irish have a way with tell great ghost stories, but is Nails great story, or just another generic tale?

Find out in this week's episode. I also cover a few new streaming releases as well as two that I'm extremely excited for. SS Ouija: Origin of Evil. Mike Flanagan has proven himself to be a modern master of horror, but how does he fare with a new franchise that started off with a critical flop?

This week I take a look at his sequel to 's Ouija, Origin of Evil. SS Veronica. Business Insider claims the Spanish film, Veronica, is so scary, people are turning it off half way through the film.

But is it really? I aim to answer that question on this week's episode. I also cover a couple of horror games, and the latest industry news.

SS The Cloverfield Paradox. This week I'm giving you my spoiler-free review of J. Abrams' latest film in the Cloverfield series, The Cloverfield Paradox.

I went into this one mostly blind. I only saw the 30 second Super Bowl promo and avoided all the reviews, spoilers, and plot details.

I also cover this week's latest streaming releases and give a couple of mini-reviews of two new Shudder additions. SS Jigsaw.

The time has finally come and my choice has been made; my review of Jigsaw is here. Hopefully, after this episode I won't wake up in a dimly lit room with a bucket on my head.

I also cover one piece of exciting news regarding the classic show, In Search of. SS Happy Birthday to Me. It's my birthday, and to celebrate my 40th I'm reviewing the 80's classic, Happy Birthday to Me!

I saw this recently on Shudder and decided that instead of doing the obvious thing, and review Happy Death Day, I'd go off the beaten path a bit.

SS Cathy's Curse. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery.

Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.

Director: Pascal Laugier. Writer: Pascal Laugier. Added to Watchlist. Best Horror Movies on Hulu in October Stomach-churning Movies.

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Edit Cast Cast overview, first billed only: Morjana Alaoui Mademoiselle Robert Toupin Marie Xavier Dolan Lucie 10 ans Erika Scott Anna 10 ans Isabelle Chasse Docteur Anie Pascale Edit Storyline Fifteen years after a horrifying experience of abduction and prolonged torture, Lucie embarks on a bloody quest for revenge against her oppressors.

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